Literature/Edmond Rostand/Cyrano de Bergerac

Cyrano de Bergerac

Edmond Rostand, 1897

Act V: Cyrano’s GazetteScene V

Roxane, Cyrano and, for a moment, Sister Martha.

Roxane

Without turning round

What was I saying?…

She embroiders. Cyrano, very pale, his hat pulled down over his eyes, appears. The sister who had announced him retires. He descends the steps slowly, with a visible difficulty in holding himself upright, bearing heavily on his cane. Roxane still works at her tapestry

Time has dimmed the tints…How harmonize them now?

To Cyrano, with playful reproach

For the first timeLate!—For the first time, all these fourteen years!

Cyrano

Who has succeeded in reaching the chair, and has seated himself—in a lively voice, which is in great contrast with his pale face

Ay! It is villainous! I raged—was stayed…

Roxane

By?…

Cyrano

By a bold, unwelcome visitor.

Roxane

Absently, working

Some creditor?

Cyrano

Ay, cousin,—the last creditorWho has a debt to claim from me.

Roxane

And youHave paid it?

Cyrano

No, not yet! I put it off;—Said, ‘Cry you mercy; this is Saturday,When I have get a standing rendezvousThat naught defers. Call in an hour’s time!’

Roxane

Carelessly

Oh, well, a creditor can always wait!I shall not let you go ere twilight falls.

Cyrano

Haply, perforce, I quit you ere it falls!

He shuts his eyes, and is silent for a moment. Sister Martha crosses the park from the chapel to the flight of steps. Roxane, seeing her, signs to her to approach.

Roxane

To Cyrano

How now? You have not teased the Sister?

Cyrano

Hastily opening his eyes

True!

In a comically loud voice

Sister! come here!

The sister glides up to him

Ha! ha! What? Those bright eyesBent ever on the ground?

Sister Martha

Who makes a movement of astonishment on seeing his face

Oh!

Cyrano

In a whisper, pointing to Roxane

Hush! ’tis naught!—

Loudly, in a blustering voice

I broke fast yesterday!

Sister Martha

Aside

I know, I know!That’s how he is so pale! Come presentlyTo the refectory, I’ll make you drinkA famous bowl of soup…You’ll come?

Cyrano

Ay, ay!

Sister Martha

There, see! You are more reasonable to-day!

Roxane

Who hears them whispering

The Sister would convert you?

Sister Martha

Nay, not I!

Cyrano

Hold! but it’s true! You preach to me no more,You, once so glib with holy words! I amAstonished!…

With burlesque fury

Stay, I will surprise you too!Hark! I permit you…

He pretends to be seeking for something to tease her with, and to have found it

…It is something new!—To—pray for me, to-night, at chapel-time!

Roxane

Oh! oh!

Cyrano

Laughing

Good Sister Martha is struck dumb!

Sister Martha

Gently

I did not wait your leave to pray for you.

She goes out.

Cyrano

Turning to Roxane, who is still bending over her work

That tapestry! Beshrew me if my eyesWill ever see it finished!

Roxane

I was sureTo hear that well-known jest!

A light breeze causes the leaves to fall.

Cyrano

The autumn leaves!

Roxane

Lifting her head, and looking down the distant alley

Soft golden brown, like a Venetian’s hair.—See how they fall!

Cyrano

Ay, see how brave they fall,In their last journey downward from the bough,To rot within the clay; yet, lovely still,Hiding the horror of the last decay,With all the wayward grace of careless flight!

Roxane

What, melancholy—you?

Cyrano

Collecting himself

Nay, nay, Roxane!

Roxane

Then let the dead leaves fall the way they will…And chat. What, have you nothing new to tell,My Court Gazette?

Cyrano

Listen.

Roxane

Ah!

Cyrano

Growing whiter and whiter

SaturdayThe nineteenth: having eaten to excessOf pear-conserve, the King felt feverish;The lancet quelled this treasonable revolt,And the august pulse beats at normal pace.At the Queen’s ball on Sunday thirty scoreOf best white waxen tapers were consumed.Our troops, they say, have chased the Austrians.Four sorcerers were hanged. The little dogOf Madame d’Athis took a dose…

Roxane

I bidYou hold your tongue, Monsieur de Bergerac!

Cyrano

Monday—not much—Claire changed protector.

Roxane

Oh!

Cyrano

Whose face changes more and more

Tuesday, the Court repaired to Fontainebleau.Wednesday, the Montglat said to Comte de Fiesque…No! Thursday—Mancini, Queen of France! (almost!)Friday, the Monglat to Count Fiesque said—‘Yes!’And Saturday the twenty-sixth…

He closes his eyes. His head falls forward. Silence.

Roxane

Surprised at his voice ceasing, turns round, looks at him, and rising, terrified

He swoons!

She runs toward him crying

Cyrano!

Cyrano

Opening his eyes, in an unconcerned voice

What is this?

He sees Roxane bending over him, and, hastily pressing his hat on his head, and shrinking back in his chair

Nay, on my word’Tis nothing! Let me be!

Roxane

But…

Cyrano

That old woundOf Arras, sometimes,—as you know…

Roxane

Dear friend!

Cyrano

’Tis nothing, ’twill pass soon;

He smiles with an effort

See!—it has passed!

Roxane

Each of us has his wound; ay, I have mine,—Never healed up—not healed yet, my old wound!

She puts her hand on her breast

’Tis here, beneath this letter brown with age,All stained with tear-drops, and still stained with blood.

Twilight begins to fall.

Cyrano

His letter! Ah! you promised me one dayThat I should read it.

Roxane

What would you?—His letter?

Cyrano

Yes, I would fain,—to-day…

Roxane

Giving the bag hung at her neck

See! here it is!

Cyrano

Taking it

Have I your leave to open?

Roxane

Open—read!

She comes back to her tapestry frame, folds it up, sorts her wools.

Cyrano

Reading

‘Roxane, adieu! I soon must die!This very night, beloved; and IFeel my soul heavy with love untold.I die! No more, as in days of old,My loving, longing eyes will feastOn your least gesture—ay, the least!I mind me the way you touch your cheekWith your finger, softly, as you speak!Ah me! I know that gesture well!My heart cries out!—I cry “Farewell”!’

Roxane

But how you read that letter! One would think…

Cyrano

Continuing to read

‘My life, my love, my jewel, my sweet,My heart has been yours in every beat!’

The shades of evening fall imperceptibly.

Roxane

You read in such a voice—so strange—and yet—It is not the first time I hear that voice!

She comes nearer very softly, without his perceiving it, passes behind his chair, and, noiselessly leaning over him, looks at the letter. The darkness deepens.

Cyrano

‘Here, dying, and there, in the land on high,I am he who loved, who loves you,—I…’

Roxane

Putting her hand on his shoulder

How can you read? It is too dark to see!

He starts, turns, sees her close to him. Suddenly alarmed, he holds his head down. Then in the dusk, which has now completely enfolded them, she says, very slowly, with clasped hands

And, fourteen years long, he has played this partOf the kind old friend who comes to laugh and chat.

Cyrano

Roxane!

Roxane

’Twas you!

Cyrano

No, never; Roxane, no!

Roxane

I should have guessed, each time he said my name!

Cyrano

No, it was not I!

Roxane

It was you!

Cyrano

I swear!

Roxane

I see through all the generous counterfeit—The letters—you!

Cyrano

No.

Roxane

The sweet, mad love-words!You!

Cyrano

No!

Roxane

The voice that thrilled the night—you, you!

Cyrano

I swear you err.

Roxane

The soul—it was your soul!

Cyrano

I loved you not.

Roxane

You loved me not?

Cyrano

’Twas he!

Roxane

You loved me!

Cyrano

No!

Roxane

See! how you falter now!

Cyrano

No, my sweet love, I never loved you!

Roxane

Ah!Things dead, long dead, see! how they rise again!—Why, why keep silence all these fourteen years,When, on this letter, which he never wrote,The tears were your tears?

Cyrano

Holding out the letter to her

The bloodstains were his.

Roxane

Why, then, that noble silence,—kept so long—Broken to-day for the first time—why?

Cyrano

Why?…

Le Bret and Ragueneau enter running.