Literature/Anton Chekhov/Uncle Vanya

Uncle Vanya

Anton Chekhov, 1897

Act IV

Voitski’s bedroom, which is also his office. A table stands near the window; on it are ledgers, letter scales, and papers of every description. Near by stands a smaller table belonging to Astroff, with his paints and drawing materials. On the wall hangs a cage containing a starling. There is also a map of Africa on the wall, obviously of no use to anybody. There is a large sofa covered with buckram. A door to the left leads into an inner room; one to the right leads into the front hall, and before this door lies a mat for the peasants with their muddy boots to stand on. It is an autumn evening. The silence is profound. Telegin and Marina are sitting facing one another, winding wool.

Telegin

Be quick, Marina, or we shall be called away to say good-bye before you have finished. The carriage has already been ordered.

Marina

Trying to wind more quickly

I am a little tired.

Telegin

They are going to Kharkoff to live.

Marina

They do well to go.

Telegin

They have been frightened. The professor’s wife won’t stay here an hour longer. “If we are going at all, let’s be off,” says she, “we shall go to Kharkoff and look about us, and then we can send for our things.” They are travelling light. It seems, Marina, that fate has decreed for them not to live here.

Marina

And quite rightly. What a storm they have just raised! It was shameful!

Telegin

It was indeed. The scene was worthy of the brush of Aibazofski.

Marina

I wish I’d never laid eyes on them.

A pause

Now we shall have things as they were again: tea at eight, dinner at one, and supper in the evening; everything in order as decent folks, as Christians like to have it.

Sighs

It is a long time since I have eaten noodles.

Telegin

Yes, we haven’t had noodles for ages.

A pause

Not for ages. As I was going through the village this morning, Marina, one of the shop-keepers called after me, “Hi! you hanger-on!” I felt it bitterly.

Marina

Don’t pay the least attention to them, master; we are all dependents on God. You and Sonia and all of us. Every one must work, no one can sit idle. Where is Sonia?

Telegin

In the garden with the doctor, looking for Ivan. They fear he may lay violent hands on himself.

Marina

Where is his pistol?

Telegin

Whispers

I hid it in the cellar.

Voitski and Astroff come in.

Voitski

Leave me alone!

To Marina and Telegin

Go away! Go away and leave me to myself, if but for an hour. I won’t have you watching me like this!

Telegin

Yes, yes, Vanya.

He goes out on tiptoe.

Marina

The gander cackles; ho! ho! ho!

She gathers up her wool and goes out.

Voitski

Leave me by myself!

Astroff

I would, with the greatest pleasure. I ought to have gone long ago, but I shan’t leave you until you have returned what you took from me.

Voitski

I took nothing from you.

Astroff

I am not jesting, don’t detain me, I really must go.

Voitski

I took nothing of yours.

Astroff

You didn’t? Very well, I shall have to wait a little longer, and then you will have to forgive me if I resort to force. We shall have to bind you and search you. I mean what I say.

Voitski

Do as you please.

A pause

Oh, to make such a fool of myself! To shoot twice and miss him both times! I shall never forgive myself.

Astroff

When the impulse came to shoot, it would have been as well had you put a bullet through your own head.

Voitski

Shrugging his shoulders

Strange! I attempted murder, and am not going to be arrested or brought to trial. That means they think me mad.

With a bitter laugh

Me! I am mad, and those who hide their worthlessness, their dullness, their crying heartlessness behind a professor’s mask, are sane! Those who marry old men and then deceive them under the noses of all, are sane! I saw you kiss her; I saw you in each other’s arms!

Astroff

Yes, sir, I did kiss her; so there.

He puts his thumb to his nose.

Voitski

His eyes on the door

No, it is the earth that is mad, because she still bears us on her breast.

Astroff

That is nonsense.

Voitski

Well? Am I not a madman, and therefore irresponsible? Haven’t I the right to talk nonsense?

Astroff

This is a farce! You are not mad; you are simply a ridiculous fool. I used to think every fool was out of his senses, but now I see that lack of sense is a man’s normal state, and you are perfectly normal.

Voitski

Covers his face with his hands

Oh! If you knew how ashamed I am! These piercing pangs of shame are like nothing on earth.

In an agonised voice

I can’t endure them!

He leans against the table

What can I do? What can I do?

Astroff

Nothing.

Voitski

You must tell me something! Oh, my God! I am forty-seven years old. I may live to sixty; I still have thirteen years before me; an eternity! How shall I be able to endure life for thirteen years? What shall I do? How can I fill them? Oh, don’t you see?

He presses Astroff’s hand convulsively

Don’t you see, if only I could live the rest of my life in some new way! If I could only wake some still, bright morning and feel that life had begun again; that the past was forgotten and had vanished like smoke.

He weeps

Oh, to begin life anew! Tell me, tell me how to begin.

Astroff

Crossly

What nonsense! What sort of a new life can you and I look forward to? We can have no hope.

Voitski

None?

Astroff

None. Of that I am convinced.

Voitski

Tell me what to do.

He puts his hand to his heart

I feel such a burning pain here.

Astroff

Shouts angrily

Stop!

Then, more gently

It may be that posterity, which will despise us for our blind and stupid lives, will find some road to happiness; but we—you and I—have but one hope, the hope that we may be visited by visions, perhaps by pleasant ones, as we lie resting in our graves.

Sighing

Yes, brother, there were only two respectable, intelligent men in this county, you and I. Ten years or so of this life of ours, this miserable life, have sucked us under, and we have become as contemptible and petty as the rest. But don’t try to talk me out of my purpose! Give me what you took from me, will you?

Voitski

I took nothing from you.

Astroff

You took a little bottle of morphine out of my medicine-case.

A pause

Listen! If you are positively determined to make an end to yourself, go into the woods and shoot yourself there. Give up the morphine, or there will be a lot of talk and guesswork; people will think I gave it to you. I don’t fancy having to perform a post-mortem on you. Do you think I should find it interesting?

Sonia comes in.

Voitski

Leave me alone.

Astroff

To Sonia

Sonia, your uncle has stolen a bottle of morphine out of my medicine-case and won’t give it up. Tell him that his behaviour is—well, unwise. I haven’t time, I must be going.

Sonia

Uncle Vanya, did you take the morphine?

Astroff

Yes, he took it.

A pause

I am absolutely sure.

Sonia

Give it up! Why do you want to frighten us?

Tenderly

Give it up, Uncle Vanya! My misfortune is perhaps even greater than yours, but I am not plunged in despair. I endure my sorrow, and shall endure it until my life comes to a natural end. You must endure yours, too.

A pause

Give it up! Dear, darling Uncle Vanya. Give it up!

She weeps

You are so good, I am sure you will have pity on us and give it up. You must endure your sorrow, Uncle Vanya; you must endure it.

Voitski takes a bottle from the drawer of the table and hands it to Astroff.

Voitski

There it is!

To Sonia

And now, we must get to work at once; we must do something, or else I shall not be able to endure it.

Sonia

Yes, yes, to work! As soon as we have seen them off we shall go to work.

She nervously straightens out the papers on the table

Everything is in a muddle!

Astroff

Putting the bottle in his case, which he straps together

Now I can be off.

Helena comes in.

Helena

Are you here, Ivan? We are starting in a moment. Go to Alexander, he wants to speak to you.

Sonia

Go, Uncle Vanya.

She takes Voitski ‘S arm

Come, you and papa must make peace; that is absolutely necessary.

Sonia and Voitski go out.

Helena

I am going away.

She gives Astroff her hand

Good-bye.

Astroff

So soon?

Helena

The carriage is waiting.

Astroff

Good-bye.

Helena

You promised me you would go away yourself to-day.

Astroff

I have not forgotten. I am going at once.

A pause

Were you frightened? Was it so terrible?

Helena

Yes.

Astroff

Couldn’t you stay? Couldn’t you? To-morrow—in the forest—

Helena

No. It is all settled, and that is why I can look you so bravely in the face. Our departure is fixed. One thing I must ask of you: don’t think too badly of me; I should like you to respect me.

Astroff

Ah!

With an impatient gesture

Stay, I implore you! Confess that there is nothing for you to do in this world. You have no object in life; there is nothing to occupy your attention, and sooner or later your feelings must master you. It is inevitable. It would be better if it happened not in Kharkoff or in Kursk, but here, in nature’s lap. It would then at least be poetical, even beautiful. Here you have the forests, the houses half in ruins that Turgenieff writes of.

Helena

How comical you are! I am angry with you and yet I shall always remember you with pleasure. You are interesting and original. You and I will never meet again, and so I shall tell you—why should I conceal it?—that I am just a little in love with you. Come, one more last pressure of our hands, and then let us part good friends. Let us not bear each other any ill will.

Astroff

Pressing her hand

Yes, go.

Thoughtfully

You seem to be sincere and good, and yet there is something strangely disquieting about all your personality. No sooner did you arrive here with your husband than every one whom you found busy and actively creating something was forced to drop his work and give himself up for the whole summer to your husband’s gout and yourself. You and he have infected us with your idleness. I have been swept off my feet; I have not put my hand to a thing for weeks, during which sickness has been running its course unchecked among the people, and the peasants have been pasturing their cattle in my woods and young plantations. Go where you will, you and your husband will always carry destruction in your train. I am joking of course, and yet I am strangely sure that had you stayed here we should have been overtaken by the most immense desolation. I would have gone to my ruin, and you—you would not have prospered. So go! E finita la comedia!

Helena

Snatching a pencil off Astroff’s table, and hiding it with a quick movement

I shall take this pencil for memory!

Astroff

How strange it is. We meet, and then suddenly it seems that we must part forever. That is the way in this world. As long as we are alone, before Uncle Vanya comes in with a bouquet—allow me—to kiss you good-bye—may I?

He kisses her on the cheek

So! Splendid!

Helena

I wish you every happiness.

She glances about her

For once in my life, I shall! and scorn the consequences!

She kisses him impetuously, and they quickly part

I must go.

Astroff

Yes, go. If the carriage is there, then start at once.

They stand listening.

Astroff

E finita!

Voitski, Serebrakoff, Mme. Voitskaya with her book, Telegin, and Sonia come in.

Serebrakoff

To Voitski

Shame on him who bears malice for the past. I have gone through so much in the last few hours that I feel capable of writing a whole treatise on the conduct of life for the instruction of posterity. I gladly accept your apology, and myself ask your forgiveness.

He kisses Voitski three times.

Helena embraces Sonia.

Serebrakoff

Kissing Mme. Voitskaya’s hand

Mother!

Mme. Voitskaya

Kissing him

Have your picture taken, Alexander, and send me one. You know how dear you are to me.

Telegin

Good-bye, your Excellency. Don’t forget us.

Serebrakoff

Kissing his daughter

Good-bye, good-bye all.

Shaking hands with Astroff

Many thanks for your pleasant company. I have a deep regard for your opinions and your enthusiasm, but let me, as an old man, give one word of advice at parting: do something, my friend! Work! Do something!

They all bow

Good luck to you all.

He goes out followed by Mme. Voitskaya and Sonia.

Voitski

Kissing Helena’s hand fervently

Good-bye—forgive me. I shall never see you again!

Helena

Touched

Good-bye, dear boy.

She lightly kisses his head as he bends over her hand, and goes out.

Astroff

Tell them to bring my carriage around too, Waffles.

Telegin

All right, old man.

Astroff and Voitski are left behind alone. Astroff collects his paints and drawing materials on the table and packs them away in a box.

Astroff

Why don’t you go to see them off?

Voitski

Let them go! I—I can’t go out there. I feel too sad. I must go to work on something at once. To work! To work!

He rummages through his papers on the table. A pause. The tinkling of bells is heard as the horses trot away.

Astroff

They have gone! The professor, I suppose, is glad to go. He couldn’t be tempted back now by a fortune.

Marina comes in.

Marina

They have gone.

She sits down in an arm-chair and knits her stocking.

Sonia comes in wiping her eyes.

Sonia

They have gone. God be with them.

To her uncle

And now, Uncle Vanya, let us do something!

Voitski

To work! To work!

Sonia

It is long, long, since you and I have sat together at this table.

She lights a lamp on the table

No ink!

She takes the inkstand to the cupboard and fills it from an ink-bottle

How sad it is to see them go!

Mme

VOITSKAYA comes slowly in.

Mme. Voitskaya

They have gone.

She sits down and at once becomes absorbed in her book. Sonia sits down at the table and looks through an account book.

Sonia

First, Uncle Vanya, let us write up the accounts. They are in a dreadful state. Come, begin. You take one and I will take the other.

Voitski

In account with

They sit silently writing.

Marina

Yawning

The sand-man has come.

Astroff

How still it is. Their pens scratch, the cricket sings; it is so warm and comfortable. I hate to go.

The tinkling of bells is heard.

Astroff

My carriage has come. There now remains but to say good-bye to you, my friends, and to my table here, and then—away!

He puts the map into the portfolio.

Marina

Don’t hurry away; sit a little longer with us.

Astroff

Impossible.

Voitski

Writing

And carry forward from the old debt two seventy-five—

Workman comes in.

Workman

Your carriage is waiting, sir.

Astroff

All right.

He hands the Workman his medicine-case, portfolio, and box

Look out, don’t crush the portfolio!

Workman

Very well, sir.

Sonia

When shall we see you again?

Astroff

Hardly before next summer. Probably not this winter, though, of course, if anything should happen you will let me know.

He shakes hands with them

Thank you for your kindness, for your hospitality, for everything!

He goes up to Marina and kisses her head

Good-bye, old nurse!

Marina

Are you going without your tea?

Astroff

I don’t want any, nurse.

Marina

Won’t you have a drop of vodka?

Astroff

Hesitatingly

Yes, I might.

Marina goes out.

Astroff

After a pause

My off-wheeler has gone lame for some reason. I noticed it yesterday when Peter was taking him to water.

Voitski

You should have him re-shod.

Astroff

I shall have to go around by the blacksmith’s on my way home. It can’t be avoided.

He stands looking up at the map of Africa hanging on the wall

I suppose it is roasting hot in Africa now.

Voitski

Yes, I suppose it is.

Marina comes back carrying a tray on which are a glass of vodka and a piece of bread.

Marina

Help yourself.

Astroff drinks

Marina

To your good health!

She bows deeply

Eat your bread with it.

Astroff

No, I like it so. And now, good-bye.

To Marina

You needn’t come out to see me off, nurse.

He goes out. Sonia follows him with a candle to light him to the carriage. Marina sits down in her armchair.

Voitski

Writing

On the 2d of February, twenty pounds of butter; on the 16th, twenty pounds of butter again. Buckwheat flour—

A pause. Bells are heard tinkling.

Marina

He has gone.

A pause.

Sonia comes in and sets the candle stick on the table.

Sonia

He has gone.

Voitski

Adding and writing

Total, fifteen—twenty-five—

Sonia sits down and begins to write.

Yawning

Oh, ho! The Lord have mercy.

Telegin comes in on tiptoe, sits down near the door, and begins to tune his guitar.

Voitski

To Sonia, stroking her hair

Oh, my child, I am miserable; if you only knew how miserable I am!

Sonia

What can we do? We must live our lives.

A pause

Yes, we shall live, Uncle Vanya. We shall live through the long procession of days before us, and through the long evenings; we shall patiently bear the trials that fate imposes on us; we shall work for others without rest, both now and when we are old; and when our last hour comes we shall meet it humbly, and there, beyond the grave, we shall say that we have suffered and wept, that our life was bitter, and God will have pity on us. Ah, then dear, dear Uncle, we shall see that bright and beautiful life; we shall rejoice and look back upon our sorrow here; a tender smile—and—we shall rest. I have faith, Uncle, fervent, passionate faith.

Sonia kneels down before her uncle and lays her head on his hands. She speaks in a weary voice

We shall rest.

Telegin plays softly on the guitar

We shall rest. We shall hear the angels. We shall see heaven shining like a jewel. We shall see all evil and all our pain sink away in the great compassion that shall enfold the world. Our life will be as peaceful and tender and sweet as a caress. I have faith; I have faith.

She wipes away her tears

My poor, poor Uncle Vanya, you are crying!

Weeping

You have never known what happiness was, but wait, Uncle Vanya, wait! We shall rest.

She embraces him

We shall rest.

The Watchman’s rattle is heard in the garden; Telegin plays softly; Mme. Voitskaya writes something on the margin of her pamphlet; Marina knits her stocking

We shall rest.

The curtain slowly falls.