More from James Baldwin
- “The Black Boy Looks at the White Boy”
- “Notes of a Native Son” originally in Harper’s (November 1955)
All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up.
James Baldwin on art
“The Precarious Vogue of Ingmar Bergman” in Esquire (April 1960); republished as “The Northern Protestant”, also in The Price of the Ticket (1985)
Quote and source from Wikiquote, CC BY-SA 4.0
